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Dave Eggers

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Dave Eggers
Eggers in 2018
Eggers in 2018
Born (1970-03-12) March 12, 1970 (age 54)
Boston, Massachusetts, U.S.
Occupation
  • Writer
  • editor
  • publisher
  • philanthropist
EducationUniversity of Illinois at Urbana–Champaign
Period1993–present
Literary movementPostmodern literature, post-postmodern, new sincerity
SpouseVendela Vida
Children2
RelativesWilliam D. Eggers (brother)
Constance Demby (aunt)
Website
www.mcsweeneys.net
www.daveeggers.net

Dave Eggers (born March 12, 1970) is an American writer, editor, and publisher. He is best known for his 2000 memoir, A Heartbreaking Work of Staggering Genius, which became a bestseller and was a finalist for the Pulitzer Prize for General Non-Fiction. Eggers is also the founder of several notable literary and philanthropic ventures, including the literary journal Timothy McSweeney's Quarterly Concern, the literacy project 826 Valencia, and the human rights nonprofit Voice of Witness. Additionally, he founded ScholarMatch, a program that connects donors with students needing funds for college tuition. His writing has appeared in numerous prestigious publications, including The New Yorker, Esquire, and The New York Times Magazine.

Early life

[edit]

Eggers was born in Boston, Massachusetts, and raised in a family with three siblings. His father, John K. Eggers (1936–1991), was an attorney, and his mother, Heidi McSweeney Eggers (1940–1992), was a schoolteacher. The family moved to Lake Forest, Illinois, where Eggers attended public high school and was a classmate of actor Vince Vaughn.[1]

Eggers attended the University of Illinois at Urbana–Champaign to earn a degree in journalism. However, his studies were interrupted by the deaths of both parents: his father in 1991 and his mother in 1992. These events were later chronicled in his first book, the fictionalized memoir A Heartbreaking Work of Staggering Genius. At age 21, Eggers took responsibility for his younger brother, Christopher ("Toph"), and moved to Berkeley, California.His elder brother, William D. Eggers, is a researcher who has worked for several conservative think tanks, promoting privatization.[2] Eggers's sister Beth died by suicide in November 2001.[3][4]

Career

[edit]
Eggers worked with Sudan refugee Valentino Achak Deng to tell a fictionalized account of Achak's life story.
Eggers in October 2008

Eggers began writing as a Salon.com editor and founded Might magazine in San Francisco in 1994 with David Moodie and Marny Requa, while also writing a comic strip called Smarter Feller (originally Swell) for SF Weekly.[5]

Might evolved out of the small San Francisco-based independent paper Cups, and gathered a loyal following with its irreverent humor and quirky approach to the issues and personalities of the day.[6] An article purporting to be an obituary of former 1980s child star Adam Rich (originally intended to be Back to the Future star Crispin Glover until Glover backed out) garnered some national attention.[7] The magazine regularly included humour pieces, and several essays and non-fiction pieces by seminal writers of the 1990s, including "Impediments to Passion", an essay on sex in the AIDS era by David Foster Wallace.

Eggers later recounted in his memoir A Heartbreaking Work of Staggering Genius that the magazine consistently struggled to make a profit and stopped publication in 1997. An anthology of the best of Might magazine's brief run, 'Shiny Adidas Tracksuits and the Death of Camp' and Other Essays from Might Magazine, was published in late 1998. By this time, Eggers was freelancing for Esquire and continuing to work for Salon.[citation needed]

A Heartbreaking Work of Staggering Genius, published in 2000, Eggers' first book, is a memoir with fictional elements, and it focuses on his struggle to raise his younger brother in the San Francisco Bay Area following the deaths of both of their parents. The book quickly became a bestseller and was a finalist for the Pulitzer Prize for General Non-Fiction. The memoir was praised for its originality, idiosyncratic self-referencing, and several innovative stylistic elements.[8] Early printings of the 2001 trade-paperback edition were published with a lengthy postscript entitled, Mistakes We Knew We Were Making.[citation needed]

In 2002, Eggers published his first novel, You Shall Know Our Velocity, a story about a frustrating attempt to give away money to deserving people while haphazardly traveling the globe. An expanded and revised version was released as Sacrament in 2003. A version without the new material in Sacrament was created and retitled You Shall Know Our Velocity! for a Vintage imprint distribution. He has since published How We Are Hungry, a collection of short stories, and three politically themed serials for Salon.[9]

In November 2005, Eggers published Surviving Justice: America's Wrongfully Convicted and Exonerated, a book of interviews with former prisoners sentenced to death and later exonerated. The book was compiled with Lola Vollen, a specialist in the aftermath of major human rights abuses and a visiting scholar at the University of California, Berkeley's Institute of International Studies.[10]

Eggers' 2006 novel What Is the What: The Autobiography of Valentino Achak Deng was a finalist for the 2006 National Book Critics Circle Award for Fiction.[11] Eggers also edits the Best American Nonrequired Reading series, an annual anthology of short stories, essays, journalism, satire, and alternative comics.[12]

Eggers was one of the original contributors to ESPN The Magazine and helped create its section "The Jump". He also acted as the first anonymous "Answer Guy", a column that continued to run after he stopped working for the publication.[13]

On November 7, 2009, he was presented with the "Courage in Media" Award by the Council on American-Islamic Relations for his book Zeitoun.[14] Zeitoun was optioned by Jonathan Demme, who considered an animated film-rendition of the work. To Demme, it "felt like the first in-depth immersion I'd ever had through literature or film into the Muslim-American family. ... The moral was that they are like people of any other faith, and I hope our film, if we can get it made, will also be like that." Demme, quoted in early 2011, expressed confidence that when the script was finished, he would be able to find financing, perhaps even from a major studio.[15] However, in May 2014, The Playlist reported that the film was "percolat[ing] in development".[16] Demme died in April 2017, and the project has not been heard of since.

In the early 2010s, after six years without publishing substantive literary fiction following What is the What, Eggers began a three-year streak of back-to-back novels, each broadly concerned with pressing social and political issues facing the United States and the world in the twenty-first century. Eggers published his novel of the Great Recession and the 2007–2008 financial crisis, A Hologram for the King, in July 2012. In October of that year, the novel was announced as a finalist for the National Book Award.[17]

Eggers followed this with The Circle, released in October 2013, and depicts the life of a young worker at a fictional San Francisco-based technology company shortly, as she faces doubts about her vocation due to the company's seemingly well-intentioned innovations revealing a more sinister underlying agenda. Completing the productive spell, Your Fathers, Where Are They? And the Prophets, Do They Live Forever? was published in June 2014.[18] In November 2015, Your Fathers, Where Are They ... was longlisted for the 2016 International Dublin Literary Award,[19] Eggers' fifth nomination for the award following earlier nominations for The Circle, A Hologram for the King, The Wild Things, and What is the What.

In April 2016, Eggers visited Israel, as part of a project by the "Breaking the Silence" organization, to write an article for a book on the Israeli occupation, to mark the 50th anniversary of the Six-Day War.[20][21] The book was edited by Michael Chabon and Ayelet Waldman and published under the title "Kingdom of Olives and Ash: Writers Confront the Occupation" in June 2017.[22]

In July 2016, Eggers published Heroes of the Frontier.[23] Earlier the same year, a film adaptation of Eggers' earlier novel A Hologram for the King was released to mixed reviews and middling commercial performance. The Circle, a film version of Eggers' book, starring Emma Watson, John Boyega, and Tom Hanks (who had starred in the Hologram for the King adaptation), was released in April 2017.[24] Eggers followed Heroes of the Frontier with The Monk of Mokha (2018), another nonfiction biography in a similar vein to Zeitoun, billed by the publishers as "the exhilarating true story of a young Yemeni American man, raised in San Francisco, who dreams of resurrecting the ancient art of Yemeni coffee but finds himself trapped in Sana'a by civil war."[25]

Eggers ended the decade by publishing two stylistically different novellas that were written concurrently. The Parade, published by Knopf in March 2019, was a spare, minimalist novella reflecting Eggers' long-standing concerns with humanitarian issues, global development, and Western perceptions of the developing world. According to the advance blurb from the publisher, the novel concerns "two men, Western contractors sent to work far from home, tasked with paving a road to the capital in a dangerous and largely lawless country."[26] Reviews were mixed: Positive notices included Andrew Motion's writing in The Guardian that "[Eggers'] novel may be sternly reduced in terms of its cast and language, but this leanness doesn't diminish the strength of its argument",[27] and Ron Charles in The Washington Post wrote that The Parade is "a story that conforms to the West's reductive attitudes about the developing world. Writers and politicians have long generalized about those individual cultures. A novel that lumps them together into a nameless, primitive nation only plays into that tendency."[28] The Parade was followed in November 2019 by another short novella, The Captain and the Glory, billed by Eggers himself as an "allegorical satire"[29] of the Trump administration.[30] In an interview with the publishers Knopf published on the McSweeney's website, Eggers described the novel as "an attempt to understand this era by painting it in the gaudy and garish colors it really deserves... This is part farce, part parable, and I do hope, though the Captain bears more than a passing resemblance to Trump, that the book will be readable when Trump is gone. That's part of the reason I called it 'An entertainment' on the title page. It's a nod to Graham Greene but also the way I hope people will read it. It was cathartic to write, and I hope cathartic to read."[30] As with The Parade, reviews were decidedly mixed, with much criticism noting that Eggers' satire struggled to keep up with or do justice to the events of the Trump era. In a review for the Financial Times, Carl Wilkinson expressed bemusement about the purpose of the book and its intentions,[31] Hannah Barekat in The Spectator was critical of the "heavy handed" nature of the book's satire,[32] and The Guardian,[33] The Times Literary Supplement,[34] and Kirkus Reviews[35] also found the book wanting.

In 2021, his novella The Museum of Rain was published,[36] and according to the McSweeney's website, the "elegiac" short story concerns "an American Army vet in his 70s who is asked to lead a group of young grand-nieces and grand-nephews on a walk through the hills of California's Central Coast. Walking toward a setting sun, their destination is The Museum of Rain, which may or may not still exist, and whose origin and meaning are elusive to all."[37] The novel The Every was released in October 2021. The novel is a follow-up to his 2013 novel The Circle.[38]

McSweeney's and Other Ventures

[edit]

Eggers is the founder of McSweeney's, an independent publishing house known for its literary journal Timothy McSweeney's Quarterly Concern, which he began in 1998. McSweeney's also publishes The Believer, a monthly journal edited by Eggers's wife, Vendela Vida, and the now-defunct DVD magazine Wholphin.

In addition to his literary pursuits, Eggers is a dedicated philanthropist. In 2002, he and educator Nínive Clements Calegari co-founded 826 Valencia, a nonprofit writing and tutoring center for children and young adults. The project has since expanded into a national organization, 826 National, with chapters across the United States (Los Angeles; New York City; Chicago; Ann Arbor, Michigan; Washington, D.C.; and Boston).[39] In April 2010, under the umbrella of 826 National, Eggers launched ScholarMatch, a nonprofit organization that connects donors with students to make college more affordable.[40][41]

In 2006, he appeared at fund-raising events, dubbed the Revenge of the Book–Eaters tour, to support these programs. [42]

In September 2007, the Heinz Family Foundation awarded Eggers a $250,000 Heinz Award (given to recognize "extraordinary achievements by individuals") in the Arts and Humanities.[43] In accordance with Eggers's wishes, the award money was given to 826 National and The Teacher Salary Project.[44]

Visual art work

[edit]

While at the University of Illinois, Urbana-Champaign, Eggers attended art classes. After the publication of A Heartbreaking Work of Staggering Genius, he focused mainly on writing. Still, he publicly returned to visual art in 2010, with a solo gallery show at Electric Works in San Francisco, called "It Is Right to Draw Their Fur".[45] The show featured many drawings of animals often paired with phrases, sometimes out of the Bible.[46] In conjunction with that exhibition, McSweeney's published a catalog featuring 25 loose-leaf prints of the work featured in the show. In 2015, Eggers had his first solo museum exhibition at the Nevada Museum of Art called "The Insufferable Throne of God".[46] Eggers is represented by Electric Works, a fine art gallery in San Francisco.

Outside of exhibitions, Eggers' visual art contributions include the following:

  • Provided album art for Austin rock group Paul Banks & the Carousels' album Yelling at the Sun.
  • Designed the artwork for Thrice's album Vheissu.[47]

Other

[edit]

Ahead of the 2006 FIFA World Cup, Eggers wrote an essay about the U.S. national team and soccer in the United States for The Thinking Fan's Guide to the World Cup, which contained essays about each competing team in the tournament and was published with aid from the journal Granta. According to The San Francisco Chronicle,[48] Eggers was rumored to be a possible candidate to be the new editor of The Paris Review before the Review selected Lorin Stein.

Controversy and activism

[edit]

Eggers's book The Every was released in 2021, but he refused to sell the hardcover edition on Amazon, limiting the release to independent bookstores only. Since its release, paperback editions of The Every have been available on Amazon.[49]

In 2022, Eggers's books were one of several titles banned in South Dakota schools because of sexual content.[50] Eggers went to South Dakota to speak to authorities and students and offered any students who wanted one of the banned books copies for free via his website.[51]

In December 2022, Eggers travelled on behalf of PEN America to Kyiv, Ukraine.[52] He published "The Profound Defiance of Daily Life in Kyiv" in The New Yorker based on his time in the war-torn country.[53]

Personal life

[edit]

Eggers was the primary guardian of his youngest brother, Toph Eggers. The two later co-authored children's books together.[54] Eggers lives in the San Francisco Bay Area, and he is married to Vendela Vida, also a writer.[55][56] The couple have two children.[57] Vida and Eggers met in 1998 in San Francisco at a wedding; the couple started dating in 1999.[58]

He was one of three 2008 TED Prize recipients.[59] His TED Prize wish was for helping community members to engage with local public schools personally.[60][61] The same year, he was named one of "50 Visionaries Who Are Changing the World" by Utne Reader.[62]

Honors

[edit]

2000s

[edit]

2010s

[edit]

Awards

[edit]

A Heartbreaking Work of Staggering Genius (2000)

You Shall Know Our Velocity (2002)

  • Independent Book Award, Story Teller of the Year (2003)[75]

What Is the What: The Autobiography of Valentino Achak Deng (2006)

Zeitoun (2009)

The Wild Things (2009)

A Hologram for the King (2012)

The Circle (2013)

  • International Dublin Literary Award, longlist (2015)[87]

Your Fathers, Where Are They? And the Prophets, Do They Live Forever? (2014)

  • International Dublin Literary Award shortlist (2016)[88]

The Eyes and the Impossible (2023)

Works

[edit]
Novels
Title Year Ref.
You Shall Know Our Velocity* 2002 [90]
The unforbidden is compulsory, or, Optimism: a self contained portion of a larger work 2004 [91]
What Is the What: The Autobiography of Valentino Achak Deng 2006 [92]
The Wild Things 2009 [93]
A Hologram for the King 2012 [94]
The Circle 2013 [95]
Your Fathers, Where Are They? And the Prophets, Do They Live Forever? 2014 [96]
Heroes of the Frontier 2016 [97]
The Parade 2019 [98]
The Captain and the Glory 2019 [99]
The Every 2021 [100]

Notes: *In 2003, Eggers published Sacrament, a retitled edition of You Shall Know Our Velocity that included a new 49-page section inserted into the middle of the story.[101]

Non-Fiction
Title Year Ref.
Teachers Have It Easy: The Big Sacrifices and Small Salaries of America's Teachers* 2005 [102]
Zeitoun 2009 [103]
It Is Right to Draw Their Fur: Animal Renderings 2010 [104]
Visitants 2013 [105]
The Voice of Witness reader:ten years of amplifying unheard voices 2015 [106]
Ungrateful Mammals 2017 [107]
The Monk of Mokha 2018 [108]
A Heartbreaking Work of Staggering Genius 2000 [109]
Mistakes we knew we were making 2001 [110]

Notes: *Written with Daniel Moulthrop and Nínive Clements Calegari, sociology.

Short Stories
Title Year Notes Ref.
How We Are Hungry 2004 A collection of 15 stories [111]
Short Short Stories (Pocket Penguins series)** 2005 A collection of 24 stories [112]
How the Water Feels to the Fishes, part of One Hundred and Forty-Five Stories in a Small Box*** 2007 A collection of 31 stories [113]
The Forgetters Series: [114]
The Museum of Rain 2021 [115]
The Honor of Your Presence 2023 [116]
The Keeper of the Ornaments 2024 [117]
The Comebacker 2024 [118]
Where the Candles Are Kept 2024 [119]
The Lighted Boat Parade 2024 [120]
Children's Literature
Title Year Illustrator Ref
Hello Children 2006 N/A [121]
When Marlana Pulled a Thread 2011 N/A [122]
The Bridge Will Not Be Gray 2015 Tucker Nichols [123]
Her Right Foot 2017 Shawn Harris [124]
The Lifters 2018 Aaron Renier [125]
What Can a Citizen Do? 2018 Shawn Harris [126]
The story of Captain Nemo 2018 Fabian Negrin [127]
Abner & Ian Get Right-Side Up 2019 Laura Park [128]
Most of the Better Natural Things in the World 2019 Angel Chang [129]
Tomorrow Most Likely 2019 Lane Smith [130]
Faraway Things 2021 Kelly Murphy [131]
We Became Jaguars 2021 Woodrow White [132]
The Eyes and the Impossible 2023 Shawn Harris [133]
Moving the Millers' Minnie Moore Mine Mansion 2023 Júlia Sardà [134]
Soren's Seventh Song 2024 Mark Hoffmann [135]

Notes: *The Haggis-on-Whey World of Unbelievable Brilliance Series

Other
Title Year Ref.
Eggers, Dave. Understanding the Sky 2016 [136]
Works Edited/Prefaced
Title Year Notes
Drama in the Desert: The Sights and Sounds of Burning Man 2002 Eggers wrote the foreword
Surviving Justice: America's Wrongfully Convicted and Exonerated 2005 Co-compiled with Lola Vollen; with an introduction by Scott Turow
Stories Upon Stories 2016 Anthology of short stories, editor and contributor
Some Recollections from a Busy Life: The Forgotten Story of the Real Town of Hollister, California 2016 Written by T.S. Hawkins. Eggers provides the introduction to a reprint of an autobiography by his great great-great-grandfather initially published in 1913
Film Contributions
Title Year Notes Ref.
Away We Go 2009 A screenplay co-written with Vendela Vida. [137]
Where the Wild Things Are 2009 A screenplay co-written with director Spike Jonze.
Promised Land 2012 A screenplay by Matt Damon and John Krasinski, story by Dave Eggers [138][139]
A Hologram for the King (2016), 2016 A film directed by Tom Tykwer, based on Egger's novel A Hologram for the King. [140]
Your Mother and I 2016 A short directed by Anna Maguire, based on Eggers’ short story "Your Mother and I"
The Circle 2017 A screenplay co-written with the director James Ponsoldt and based on Eggers’ novel The Circle. [141]
Musical contributions
Contribution Ref.
Eggers can be heard talking with Spike Jonze during "The Horrible Fanfare/Landslide/Exoskeleton", the final track on Beck's 2006 album The Information. The third section of the track features Eggers and Jonze responding to Beck's question, "What would the ultimate record that ever could possibly be made sound like?" [142]
Eggers contributed lyrics to the song "The Ghost of Rita Gonzolo" on One Ring Zero's album As Smart as We Are (2004). [143]

References

[edit]
  1. ^ Cadwalladr, Carole (July 9, 2006). "Just good friends?". The Observer. ISSN 0029-7712. Retrieved September 3, 2024.
  2. ^ "William D. Eggers". Manhattan Institute for Policy Research. n.d. Archived from the original on February 12, 2007. Retrieved February 19, 2007.
  3. ^ Preston, John (December 29, 2009). "Dave Eggers interview: the heartbreak kid". The Daily Telegraph. London. Retrieved September 22, 2010.
  4. ^ Kahn, H. (2014, December 3). Dave Eggers, Unplugged. Wall Street Journal. Retrieved September 3, 2024, from https://www.wsj.com/articles/dave-eggers-unplugged-1417620930
  5. ^ ""Growing Up in Public: David Eggers and Ann Powers" by Mark Athitakis". SF Weekly. March 8, 2000. Archived from the original on November 3, 2012. Retrieved February 21, 2007.
  6. ^ Galow, Timothy W. (November 12, 2014). Understanding Dave Eggers. Univ of South Carolina Press. p. 13. ISBN 978-1-61117-428-1.
  7. ^ Risser, Nathan (July 29, 2021). "Don't Kill Your Darlings: Dave Eggers, Faking Death and Might Magazine". Neon Books. Retrieved December 18, 2021.
  8. ^ Hoffmann, Lukas (2016). Postirony: The Nonfictional Literature of David Foster Wallace and Dave Eggers. Bielefeld: transcript. ISBN 978-3-8376-3661-1.
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  10. ^ "Surviving Justice: About the Editors". Voice of Witness. Archived from the original on July 16, 2007. Retrieved February 20, 2007.
  11. ^ "NBCC Awards Finalists". The National Book Critics Circle. Archived from the original on February 5, 2007. Retrieved March 11, 2007.
  12. ^ The Best American Nonrequired Reading 2011. 2021. ISBN 978-0-547-57743-2. Retrieved July 7, 2024.
  13. ^ "Making It Up as We Go Along". ESPN the Magazine. March 11, 2008. Retrieved September 29, 2008.
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  15. ^ "Rohter, Larry, "Hollywood Ignores East-West Exchange"". The New York Times. March 18, 2011. Retrieved March 20, 2011.
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  20. ^ Zeveloff, Naomi; The Forward (April 18, 2016). "Renowned Authors Learn About Occupation Firsthand in Breaking the Silence Tour". Haaretz.
  21. ^ Cain, Sian (February 17, 2016). "Leading authors to write about visiting Israel and the occupied territories". The Guardian.
  22. ^ "Kingdom of Olives and Ash Writers Confront the Occupation By Michael Chabon, Ayelet Waldman". Retrieved August 18, 2022.
  23. ^ "Dave Eggers Journeys Into Alaska in 'Heroes of the Frontier'". The New York Times. April 5, 2016.
  24. ^ D'Alessandro, Anthony (October 7, 2016). "Tom Hanks & Emma Watson Thriller 'The Circle' Sets Spring 2017 Release". Deadline.com. Retrieved August 23, 2017.
  25. ^ "The Monk of Mokha by Dave Eggers - PenguinRandomHouse.com". PenguinRandomhouse.com.
  26. ^ "The Parade by Dave Eggers - PenguinRandomHouse.com". PenguinRandomhouse.com.
  27. ^ Motion, Andrew (March 27, 2019). "The Parade by Dave Eggers review – a fable with a twist". The Guardian.
  28. ^ "Dave Eggers's 'The Parade' is a heartbreaking work of staggering cynicism". The Washington Post. March 12, 2019.
  29. ^ Lutz, Tom (November 22, 2019). "The Ship of State: A Conversation with Dave Eggers". Los Angeles Review of Books.
  30. ^ a b "An Interview With Dave Eggers About His New Novel The Captain and the Glory". McSweeney's Internet Tendency. Retrieved November 20, 2019.
  31. ^ "The Captain and the Glory by Dave Eggers — satire in the age of Trump". Financial Times. December 6, 2019. Archived from the original on December 10, 2022.
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  33. ^ Newman, Sandra (December 5, 2019). "The Captain and the Glory by Dave Eggers review – overfamiliar comedy". The Guardian.
  34. ^ "Clowns - in Brief Review - in Brief".
  35. ^ "An ill-advised take on "The Emperor's New Clothes" that's limp when it isn't condescending". Kirkus. October 14, 2019.
  36. ^ The Museum of Rain: Amazon.co.uk: Eggers, Dave, Chang, Angel. ASIN 1952119359.
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  38. ^ Comerford, Ruth (February 22, 2021). "Hamish Hamilton bags 'lacerating' Eggers follow-up to The Circle". The Bookseller.
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  40. ^ "About ScholarMatch". ScholarMatch. Retrieved August 26, 2018.
  41. ^ Tucker, Jill (May 21, 2010). "ScholarMatch.org offers aid to needy students". SFGate. Retrieved August 26, 2018.
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Further reading

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Criticism and interpretation

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  • Altes, Liesbeth Korthals (2008) "Sincerity, Reliability, and Other Ironies — Notes on Dave Eggers' A Heartbreaking Work of Staggering Genius" in Narrative Unreliability in the Twentieth-Century First-Person Novel (eds. Elke D'hoker and Gunther Martens). Berlin: Walter de Gruyter.
  • Boxall, Peter. Twenty-First-Century Fiction: A Critical Introduction. Cambridge University Press, 2013. [contains discussion of What is the What]
  • D'Amore, Jonathan. American Authorship and Autobiographical Narrative: Mailer, Wideman, Eggers. Palgrave Macmillan, 2012. [joint study on works of Norman Mailer, John Edgar Wideman, and Eggers; contains discussion of ... Staggering Genius, "Mistakes We Knew We Were Making", You Shall Know Our Velocity, and What is the What]
  • den Dulk, Allard. Existentialist Engagement in Wallace, Eggers and Foer. Bloomsbury, 2014. [joint study on the works of Eggers, David Foster Wallace, and Jonathan Safran Foer; contains discussion of ... Staggering Genius, You Shall Know Our Velocity and The Circle]
  • Funk, Wolfgang. The Literature of Reconstruction: American Literature in the New Millennium. Bloomsbury. 2015 [contains a chapter on 'reconstructing the author' in A Heartbreaking Work of Staggering Genius]
  • Galow, Timothy W. Understanding Dave Eggers. University of South Carolina Press. 2014.
  • Giles, Paul. The Global Remapping of American Literature. Princeton University Press, 2011 [contains discussion of ... Staggering Genius and What is the What]
  • Grassian, Daniel. Hybrid Fictions: American Literature and Generation X. McFarland, 2003 [contains discussion of A Heartbreaking Work of Staggering Genius]
  • Hamilton, Caroline D. "Blank Looks: Reality TV and Memoir in A Heartbreaking Work of Staggering Genius. Australasian Journal of American Studies, vol.28, no.2. (December 2009), pp.31-46
  • Hamilton, Caroline D. One Man Zeitgeist: Dave Eggers, Publishing and Publicity. Bloomsbury, 2012.
  • Holland, Mark K. Succeeding Postmodernism: Language and Humanism in Contemporary American Literature. Bloomsbury, 2013. [contains discussion of ... Staggering Genius]
  • Jensen, Mikkel (2014) "A Note on a Title: A Heartbreaking Work of Staggering Genius" in The Explicator. Volume 72, Issue 2.[1]
  • Mosseau, Robert. "Connecting Travel Writing, Bildungsroman, and Therapeutic Culture in Dave Eggers's Literature" in Lanzendorfer, Tim [ed.] The Poetics of Genre in the Contemporary Novel. Lexington Books, 2015. [contains discussion of You Shall Know Our Velocity and A Hologram for the King]
  • Nicol, Bran (2006) "'The Memoir as Self-Destruction': Dave Eggers's A Heartbreaking Work of Staggering Genius" in Modern Confessional Writing (ed. Jo Gill). New York: Routledge.
  • Peek, Michelle. "Humanitarian Narrative and Posthumanist Critique: Dave Eggers's What is the What. Biography. 35.1 (Winter, 2012), pp.115-136.
  • Pignagnoli, Virginia. "Sincerity, Sharing, and Authorial Discourses on the Fiction/Nonfiction Distinction: The Case of Dave Eggers's You Shall Know Our Velocity" in Lanzendorfer, Tim [ed.] The Poetics of Genre in the Contemporary Novel. Lexington Books, 2015. [contains discussion of You Shall Know Our Velocity and The Circle]
  • Sommerfeld, Stephanie. "Nature Revisited: Postironic Sublimity in Dave Eggers" in Pierce, Gillian B. [ed.] The Sublime Today: Contemporary Readings in the Aesthetic. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012. 67-101.
  • Timmer, Nicoline. Do You Feel it Too? The Post-Postmodern Syndrome in American Fiction at the Turn of the Millennium. Rodopi, 2010. [contains discussion of ... Staggering Genius]
  • Varvogli, Aliki. Travel and Dislocation in Contemporary American Fiction. Routledge, 2012. [Contains discussion of What Is the What and You Shall Know Our Velocity]
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